A new way to use media to sell houses

Pristine listing photos. Story-driven video.

And the secret weapon that wins you the next one?

This. Type the address.

Three sales, one shoot

We sell your listing three times.

Once to the buyer. Once to the seller. Once to the neighbours.

The buyer

Feels the rooms before they ever stand in them, walks the neighbourhood on a live map, taps the showing request. We build an immersive experience that makes your listing stand out.

The seller

Watches their own home treated like it matters. Then a report lands with real numbers in it, clicks, plays, likes, shares. Most sellers have never been sent one. Your stock just jumped 1000% and you didn’t have to lift a finger.

The neighbours

The warmest sellers there are, and already watching. Your next listing is three doors down from the one you just took. This strategy starts the conversation.

Most media companies sell houses. We sell you. That is the difference between a folder full of files and an inbox full of warm leads.

One page, two states

Your next listing starts in
this seller’s phone.

One page at one address, and it grows up. The free one runs on public records. The day we shoot the house, the same link becomes the real thing: the film, every photo, a live neighbourhood map, and a counter for every view, film play and showing request. Hand it to your seller and they stop being a client. They become your loudest advocate, with the proof in their pocket. The neighbours watching that page are your next three listings.

Ten years of proof

Every dot is a house
we actually filmed.

Not where we would go. Where we have been. Selkirk to Steinbach, and everything in between, because we have never only worked inside the perimeter.

We were shooting listing film in Winnipeg before listing film was a thing here. The trends in this market got set on these streets. Which means the oldest work on this map is honestly a little rough now, and we love that. It is what ten years of getting better looks like.

0homes filmed across this region
Tap a red one to watch the film Filmed, media on offline drives

Red plays. The dim ones we filmed too, but that media sits on an offline drive. Anything past the perimeter is pinned to the street rather than the doorstep, because that is as precise as the record goes. The real total runs higher than what is plotted here.

So you never mistake where we started for where we are: anything shot in 2024 or earlier tells you its age before it plays. If you want today's standard, the newest films play first on the Strategy page.

From a client

“I have tons of people who have reached out to me specifically because I do the video. I think he’s the best at what he does.”

Amber van den Broek · RE/MAX Executives

Sean Philips
The person holding the camera

Sean Philips.

I am not a real estate photographer who picked up a video camera. I am an artist who spent ten years learning how a house tells its story. I carve vessels out of salvaged Manitoba trees. I have won awards for poetry, I write essays, I compose music and play more instruments than I should, and lately, with a great deal of help, I have become a software developer. Every one of those is the same job wearing different clothes: take something ordinary and make a stranger stop and feel it. A listing is exactly that problem. Your seller’s home is the most ordinary thing in the world to the thousands of people scrolling past it, and the most important thing in the world to them. My whole job is to close that gap, in a film, in a photograph, on a page built to be handed across a kitchen table. I built a new way to market houses because none of the old ways used everything I know. When you hire me, you are not renting a camera. You are hiring the person who thinks about attention for a living.

Imagine turning up with this
at your next listing appointment.

Your next listing lives in your seller’s phone. This is how we unlock it.